I put Cloudflare and a CAPTCHA on Folk Tune Finder. It’s a pragmatic decision, which ensures that the limited resources of the site are used for the people it’s intended for. It’s an uneasy trade-off that doesn’t align with all of my principles. It does, though, align with the fundamental principle of folk tune finder: helping people to find tunes.
None of the below is particularly original. That’s kind of the point.
I’m addicted to paper. When reviewing documents I prefer to print them out and scribble on them. That’s all well and good in an office located on a planet with infinite trees, but I find myself in neither of those situations.
As a programmer, I also find it useful to scribble things down on paper, point at various scribble marks and ask people questions. I do enjoy making carefully perfected, data generated, diagrams with arcane tools. But scribbling is a necessary precursor.
My son is nearing his second birthday, which makes him nearly two years old. When he was only four months old I decided that I would make him something with buttons. I didn’t have much more of an idea than that, but I ordered one hundred illuminated buttons and started mulling what to do with them. Nothing much happened for a few months; I knew this was a long term plan. But every so often my subconscious would come up for breath, and I would open the drawer and get them out. Just to see how they felt.
They say the skies are bigger Up North. I’ve recently witnessed this natural phenomenon first-hand. It’s true. The best theory I have so far is that the sky expands, inching out and pressing down toward the horizon. Meeting abrupt and solid bedrock, it flexes and springs up, vault-like, forming a dome. As any structural engineer will tell you, this paraboloid is capable of supporting and holding back crushing weights. The arch transfers the load deep into its footing, pushing downward and outward. The earth supports it, gentle and sufficient. As long as the horizon remains firm, anchored, the cosmos remains supported and the world still turns.
I presented these ideas at the altmetrics18 workshop. You can read a slightly more formal version of this blog post here.
These five principles are my answer to some of the difficulties and problems I have observed in the past couple of years. In that time I have been collecting the kind of data that altmetrics are built from, and talking and working with researchers. Altmetrics data is derived from the community. I think that community should continue to be at the heart of every step.
Zohreh Zahedi and Rodrigo Costas recently published a comparison of altmetrics data providers. Included in the comparison was Crossef Event Data, the service that I have been designing and building for the last couple of years. I am writing this blog post as a personal response to their study, “General discussion of data quality challenges in social media metrics: Extensive comparison of four major altmetric data aggregators”. We will also publish an official Crossref response, which I will link to when it is published.
This blog post goes with my talk at Oxford Geek Nights. It’s about the work I’m doing at Crossref but the talk and this blog post are provided in a personal capacity, and don’t officially represent Crossref. That mostly means I don’t have to use American spelling. Which is fortunate for you, as I’m really bad at accents.
“Scholarly publications” are things published in pursuit of scholarship. That’s mostly articles, but it also includes datasets, peer reviews, journal issues, monographs, books &c.
I am, after a lag of a few weeks, finally writing a few words about my Gemini PDA. As tradition, I’m writing it on the device itself.
I don’t feel that it’s possible to write a fair review after a short amount of time. I’ve had my BlackBerry Passport, my current phone, for about 4 years and I only just feel qualified to start mulling it. My imaginary review, when I get round to it, will say that on balance, it’s a very good phone with a nice keyboard, great sound, and that you should have bought one in 2014. All the best historians wait a decade.
Today marks the release of the Digital Folk report, a study into the way that folk music is being played and shared in the digital age. The report opens with a timeline of some of the tools available and their history. It reminded me that Folk Tune Finder is ten years old this year - the folktunefinder.com domain was registered at half past nine in the morning on the 27th of January 2008. This seems like a good time to look back at the last decade and think about the future.
A couple of years ago I fished a large chunk of wood out of the river. It had a very satisfactory heft, oblongularity and poise. A piece of timber solid not only in body, but in character. In short: a perfect doorstep.
I spotted it floating in a weir and thought ’that would make a fine doorstep’. We shan’t dwell on the story of how I hoisted it out of the river and, in exchange, lost my brand new, favourite, and first ever, pair of sunglasses. Suffice it to say, it took a length of rope, a boat hook and about ten minutes (it also took something else, but I can always get another pair next time I visit Massachusetts).