It’s no secret that golang is my new favourite language. I’ve used it to implement the latest folktunefinder search engine and really enjoyed it.
On an unrelated note, whilst looking at what libraries are available I came across the gosndfile library written by Matt Kane / @nynexrepublic. It’s a wrapper for libsndfile, a C library for reading and writing sound files.
I have been a devoted fan of Jaga Jazzist, a Norwegian group (they pretty much defy description) since around 2003, when I heard one of their tracks on a sampler CD issued by the Norwegian Embassy in London. This is the third gig of theirs I have been to. The first two were in the normal venues you would expect, with a lot of space for movement in response to the music.
I live not far from the spot where Hussein Mohammed jumped in the Thames and drowned. Local youths have spray-painted their tributes in the underside of the bridge. Touching.
Music in the bandstand in Brighton. Cold wind and rain by turns. We played and danced to keep warm.
I took a couple of audio recordings but this one just seemed perfectly to sum up the day.
The BBC love their esoteric, obscure electronic music. I think it all started with Sigur Rós in Planet Earth and proliferated from there. It’s even started creeping into BBC Radio 4 trailers now. The trailer for Will Self’s ‘A Point of View: In Defence of Obscure Words’ had just such a music bed. I decided that I would very much like to know what that music was.
A friend asked on Facebook why there were no documents penned by animals. He claimed that ’not a single one was to my knowledge written by an animal other than a human’. I disagree. Here are some notable quotes I have collected on the subject.
‘A cat could no more write a thesis on the plight of man than a man could on the condition of being a cat’
On the Nature of Existence, Jeramiah Bullock, 1808
Some bizarre ancient ritual that takes place in the last week of March?
No, it’s Mano Panforreteiro playing his Gaita bagpipes in Oxford. With help from some pipes of another kind.
When visiting Umefolk recently we came across a snow castle in the city centre. It would have been impossible not to have a go…
Play the MP3 and imagine this. I recorded it walking through the musicians.
I spent the last week at Umefolk, a folk music festival in Umeå in the north of Sweden. We met Anton Teljebäck, who runs the festival, at a small festival in the UK and he invited us. Umefolk is well established (the first was in 1986), and Anton was keen to spread the word further afield.
We are no strangers to Scandanavian music in Oxford. There is a budding session which has found its feet in the last few months, run by Ed Pritchard, who plays a nyckelharpa amongst other things. I also listen to whatever I can get my hands on on Spotify and around the web. So we jumped at the chance to go.